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my friend pb, someone who has shown me music for theremin and organ, someone who has introduced me to many a remarkable local public radio station, has had a goal to listen to 100 new (to them) albums this year. so, they asked me for a single album rec.
i had three! for them to choose one of, results at the end

1) rhythm of the saints
track to taste to see if you'd like it: Obvious Child
genre: 1970s music but he's recording in 1990

my friend alyssum has twice said: this would be the highlight of ANY musician's career, except our guy paul made the album graceland also.

PURE WALKIN' AROUND MUSIC. pure enjoyment. both obvious child and born at the right time are an ideal shot/chaser of truly perfect songs. songs to make one's way downtown to

2) horizon
track to taste to see if you'd like it: Soft Openings
genre: doom shoegaze noise



in the winter of early 2024, on valentines day, feeling at the time intensely single and bitter, i impulsively booked a ticket at a bar/concert venue i used to walk by late at night. i showed up, sat drinking through a pointless opener, and then heard this, one of the best shows i have ever seen

imagine these songs playing in a near-empty venue with the tightest band you've ever heard and me and a single twenty-year-old i didn't know losing our entire minds, trying to mosh but there are only two or three of us dancing. the lighting was a single, shockingly bright white floodlight triggered by the drummer's footpedal. it shone out from inside his bass drum. a very seattle vibe

(thanks to writing this i found they're playing a show on friday! you KNOW i will be there)

3) x100pre
track to taste to see if you'd like it: Tenemos Que Hablar
genre: bad bunny reggaeton



i'll keep the original commentary: "tbh you prob already know this one. THEE reggaeton album. much ass has been shaken to to these, but really this whole thing feels like music for when you've been dancing all night and you leave the club and dawn is just breaking"
and then i found out my friend pb, from australia, had no knowledge of the genre of reggaeton. I M SO GLAD TO INTRODUCE THEM. gasolina has played as a soft soundtrack to my west-coast life. i heard it just the other day, walking around.

THE RESULT

pb, a shoegaze enjoyer, an industrial music enjoyer, immediately loved Horizon. their quote:

"I put on Soft Openings to see if it was my vibe this morning and my immediate response was YES; I played 9 seconds before I put on the full album. Listening to the first track I was enjoying the vibes and then I was like, wait, is there gonna be a jump scare? Oh there it is hahaha"
 


trashmanga

Feb. 13th, 2025 11:03 pm
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[personal profile] blotthis  and i have been talking about the lovely genre of trashmanga: stories that aren't good, exactly, but that's their virtue. they don't need you to spend emotional energy on them. quoting sophieblot, "i dont feel strongly about this media. im just reading it." their very good post is here

here are some faves:

omniscient reader's viewpoint

guy-gets-sucked-into-a-novel manhwa! except the "novel" was so unpopular, only the manhwa protag has read it. now, the protag of the manhwa is not the protagonist of the novel—the real protag is some fever-dream mashup of every reincarnating protagonist trope. this book!protag has gone full nihilist ("might as well die and do it all again")

this pretty normal setup is supported by a genuinely good (stupid) sense of humor, and by the fact that instead of, like, saving book!protag's heart or anything, manhwa!protag antagonizes him at every turn. BUT keeps putting book!protag in the position of being unable to kill manhwa!protag, which pisses him off even more. ah, love.

ultimately, a story about two boyfriends who absolutely cannot stand each other. a sort of fruit soju of a comic, it goes down very easy

kuro

this is the only recommendation on this list that is actually good. a young girl lives alone with her cute black cat, who has the normal number of teeth and eyes. it starts as a 1-page-format, cats-are-cute story, but quickly gets into a sort of dark fairytale narrative. i really adore the art (and steal its motifs often).

slime datta ken

classic isekai. an urban planner gets reincarnated (as a slime! it's in the title) and builds a fantasy society with his videogame stat-based skills and love of urban and environmental policy. extremely dumb. palatable.

i'm really not the demon god's lackey

an academic folklorist with a terrible personality makes a deal with a devil to be able to read all the books he wants. he gets sent to an ever-changing bookstore in a fantasy city. there's a whole eldrich dark fantasy conflict playing out between werewolves and dark magicians and stuff! he doesn't notice.

his goal is: use skillful selling methods (petty and self-defeating confidence scams) and deep psychology (facile pop-psych out of self-help books) to charm customers, sell books and win favors. and then at the end of the day, tell himself how good of a person he is.

this works out well for everyone, because his stupid pop-psych is juuuust flimsy enough to be interpreted as deep insights into the secret, ghastly nature of the universe! he gets a reputation as some masterful hermit, which in turn reinforces his dedication to doing horrible pop-psych on everyone who comes through his door. everyone here is unbelievably stupid. i'm so charmed.

eventually the demon comes back around and is like, at this point you don't even gotta pay me, you're doing just fine with this (serving my dark needs) (it is implied).

the downside is that i don't care about the non-bookstore magical conflict bits at all, and they go on way too long. and it's fundamentally a one-joke manhua, but gosh does that joke work for me.

peerless dad (later called father unrivaled)

imagine a martial arts manhwa. good job you've got this whole story down!

the protag is a recently-widowed mercenary who needs to provide for his three adorable kids.  his former master has imparted to him two things: first, the (extremely wise) advice "don't you FUCKING get involved with the world of real martial artists, they'll mop the floor with you" and secondly the ability to take an entire beating without dying.

so, he finds the cushiest job possible: gate guard at a martial arts school. certainly he will never get sucked in to the world of martial artists.

the story is a totally ordinary, competent wuxia drama. EXCEPT every plot beat is bookended by the protag thinking "i'm doing it... for my kids. because i'm a Dad." there are demonic cults with beautiful masters, wuxia medicine, qi-based combat. the kids are cute. i liked it.


the villainess reverses the hourglass

it's a straightforward and mean revenge story. a classic villainess (high society, adopted, garish taste, cruel to everyone) is getting killed for her various crimes. at the moment of her death, her sister tells her that the villainess' whole horrible life has been authored by the sister. the villainess gets to reincarnate in order to enact a long and meticulous revenge.

as you read, you slowly understand: people are cruel for stupid and pedestrian reasons. and cruelty is so often brought on by environment, or is reflexive, or is a mechanism of exercising some form of control when you're powerless.

and this manhwa does not give a shit about that. it keeps going with absolutely no reflection on anything. the protagonist, with her time-loop knowledge, is able to orchestrate far crueler acts to people who really haven't done anything yet, loop-wise. what the reader is supposed to think about this is basically irrelevant. there is no moral, no dig-two-gravesesness, no introspection on the kinds of self-inflicted harm that being the protag of a revenge story might do to someone. it's a revenge story, so it goes and does the thing. forever.

i found this oddly moving. certainly it's full of some kind of feeling. it's a favorite of mine. i would not call it "fun" or "good." just full of something

kumo desu ga, nanika?

a girl gets reincarnated as a spider and goes on a little video game spiderventure to level up. it's fine, it's cute. the protag is charming and has a million cute spiderexpressions. this is the least annoying live-life-as-a-videogame manga i feel

sakurada reset (hard to find the other chapters...)

cute manga about a bunch of very anime teens with trivial psychic powers. it's all about combining their powers in interesting ways to solve highschool-level crimes

nobunaga no chef

a skilled chef gets sent back in time to nobunaga, who appreciates his mysterious cooking! it's pretty similar to the other nobunaga one. more serious in tone, but no less silly in concept
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i didn't expect it to be this funny.

act I:
extremely normal horror. teens in a van. they go out to visit the homestead that some of them grew up in. one by one they knock on the door of a nearby house and get murdered. my favorite horror question "why do these guys stick around when it's scary?" doesn't even come into play. they show up to the door and are immediately killed in a shower of violence.

two things about this violence:

first, it is very practical. this murder family delights in doing it, definitely, but it is not torturous. second, the exact action of violence is never on screen.

[descriptions of violence in whitetext]
you see a woman lifted onto a meathook, but you never see it enter her back.
you see the back of one of the kids as an enormous man stands over him. the man brings his hammer across and the kid twists around, like a theater slap.
from behind, you see the chainsaw lower past someone's shoulder; his chest obscures most of the blade. you see a shower of blood.


i hear the film was cut with the director expecting a PG rating from the MPAA, which is, uh, insane? a PG rating? they didn't even go for PG-13.

that the violence is practical does not make it easier to watch. that the violence is never precisely shown does nothing to soften it. in fact it might even make it worse. there's nothing "icky," very little viscera to make you feel other feelings. it's simply whatever feeling it is that intense violence engenders. it is deeply horrifying.

interlude:
one girl escapes and gets re-caught by a guy you didn't realize was part of the murder family. they chain her up at the end of their dinner table and the best part of the movie happens.

act II:
this is now a tiny family drama about the most minute family politics and power dynamics these murderers have going on.

keith johnstone writes how he went out to see a play, and everyone had chosen the strongest possible motives for their acting choices. he hated it. he came back and instructed all his drama students to find the most slight differences in status, the tiniest inflections, to motivate their actions, and found it was great. "hysterically funny, but at the same time very alarming," he wrote.

this is doing exactly that, and it does it so well. each unhappy family is unhappy in its own way, and this family is no different! they just happen to be about bones and meat and murder.

and it's so funny! johnstone's adjective "hysterical" is accurate in all its meanings. seeing the family cook chase around leatherface with a broken broom handle? this guy has just been murdering people with the chainsaw that's on the wall right there! but this family is this family—it wouldn't be different if he had the chainsaw in his hands.

you find that this family used to work in the nearby industrial slaughterhouse—the people who wielded the sledge hammers to stun cattle before exsanguination. the grandfather, a near-immobile desiccated corpse (a man in a mask so clearly plastic that it took me out of the movie for a second) was the last of this fine trade.

this murder family seems to have so completely conflated killing animals with work (with pay with life with purpose) and rightness that, when industrial captive bolt pistol slaughtering (the thing anton uses in no country for old men) cut out all those middle words, they continue on trying to get back to the worthy life of killing cattle. killing people via meat instruments is still a thing they call "work" in their dinner conversation. i'm pretty sure they consider it noble. certainly they're compelled to do it.

horror is a genre of dream-logic, and this dream-logic works so well for me. it's such a ken kesey plot, but with the drama turned down to its smallest and the effect turned up to being its most awful and least universal. this murder family will have no effect on the greater world, ever. that doesn't make this any easier to watch.

in what i think is the climax of the movie, the youngest of the murder family presses a hammer into his grandfather's hand, urging him to kill the last teen to re-live his glory days as a slaughterer. he lifts it, but grandpa's too weak to hold the hammer—it falls into the bloodcatching bucket. the youngest picks it up again. grandpa drops it again. it's a shockingly funny scene. it just keeps going, grandpa dropping the hammer and the youngest putting it back in his hands. it goes on long enough that it stops being funny and then long enough again that it gets funny again. it's a full minute long. they can't stop.

finally our last teen gets free, runs into the road, and gets once again caught. the murder youth that caught her is pancaked by a truck, reprising its role from almost hitting the van in the beginning of the film. again: comedy, slapstick-style. AND it's maybe the most overt piece of violence in the film, holy shit? you see him get run over.

leatherface, the older murder sibling, almost gets the teen with the chainsaw, but the driver of the truck comes (badly, unwisely) to her rescue. the teen waves down a pickup and climbs into its truckbed. she's screaming so hard she's laughing, which is, yep! that's how i feel. it was funny. i'm don't think i'm watching this ever again
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a movie about a shithead director who, on the 40-somethingth take of his low-budget zombie film (which is, auteur-ly, shot in a single cut), decides that his actors aren't expressing enough fear. so naturally he wakes the WWII-era zombies that haunt their on-site film location to film their reactions.

that's not really what the movie is about. in fact, it's not exactly a horror movie.

it's in one of my favorite genres of all time, which is: an X about X made by people who love X. in this case, a film about film made by people who love film sooooo much.

it's almost iyashi, a "healing" or feel-good movie. like godzilla minus one is ultimately a feel-good story.

it's a touch trite, because iyashi stuff always is, but still: it's so cute. it's really sweet, and it's a movie that feeds you information in exactly the right order to pay off its own cute concept.

something to watch with other people so you can laugh together.

SKA

Jul. 22nd, 2024 01:14 am
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my friend nyx watched a documentary about east bay punk and wanted my recommendations for ska punk songs. these are the songs that i like and find historically interesting AND think nyx probably hadn't heard. (superman by goldfinger is a great song and is historic in its own way and you know it already, right. the bosstones? love them. you've heard em. you get it.)

julia or janice if you're reading this, fellow ska likers, please lmk what i missed!

https://open.spotify.com/playlist/2dJ5rcCZx94hXnHlCM7d6a?si=61b290b2bb5e4311

WE WILL FALL TOGETHER
streetlight is my favorite ska band. this isn't even their best song, but GOD. WHAT A SONG. you can tell that toh kay has been composing his band's horn lines by voice, they're so singable. horns are irresistible. gosh can you have a horn section that is so together and so not-together at the same time. music.

people call streetlight fourth wave ska, a title that the lead singer likes about as much as gerard way likes being in an emo band. we'll get back to 'em later

SHE GOT ARRESTED
i started listening to the interrupters literally just for this playlist and THEY'RE GOOD. man, matt freeman would be jealous to play this bassline. you ever hear a band doing a kind of music, right, this 2010s band is signaling that they're doing ska. "ah, cute, they're playing a ska style song," i think before the bass comes in and then i go oh fuck they're playing ska

also hey washington mentioned!! spokane doesn't have a lot to recommend it, but it seems like it'd be a great place to allegedly murder your spouse.

TIME BOMB
and out comes the wolves, listen. put your drink down and listen to me. this is a new take that's never been heard before. and out comes the wolves is a good album. no one has said this before me. this is the first time you've heard this opinion!! thanks. now you can leave this dive bar with new information

the oakland band operation ivy was the first (many people are mad about this statement) ska punk band. they did one album and split. by many accounts they split for for normal nineteen-year-old-punk-bandmate reasons, everyone was nineteen-years-old mad but no one was BIG mad. they each went on to their futures, the lead singer to a career of "being a pretty chill and normal guy" and the rest of them to being "musicians" in bands such as these guys, rancid, which along with green day (and others, ok, i know i know) was responsible for people liking punk in the 1990s.

UNITY
oh hey it's those guys! it's op ivy. you've heard all about them

MY GIRLFRIEND'S ON DRUGS
my barber told me about big d. hi eric!! (he has never been online in his life)
this song is so fun. if you go to the spotify radio for this song you'll eventually get to the dead milkmen's "punk rock girl," which is the correct way of understanding this song—a sort of punk rock nursery rhyme. but god, the horn line!

(SK)A PUNK
jeff rosenstock has the platonic ideal punk voice. what a blessing this cover is, especially with jer on EVERY other instrument. jeff rosenstock's band is bomb the music industry (& others) which have SO many songs that would have been more sincere and historic includes in this list except damnnnnn does jeff sound perfect on this

HERE'S TO LIFE
this isn't streetlight manifesto. it isn't (it is). do you know the willpower it took to keep catch22 off this list? but i'm so enamored with the concept of "acoustic ska" and with this song. come back once point/counterpoint hits, and you'll find all the same streetlight tasting notes.

i don't know much but i do know this / with a golden heart comes a rebel fist / and every single soldier wasn't fired: some have quit

BEER
reel big fish is a group of frat boys who sing about wanting to die using the only kind of speech they know.

LAST ONE OUT OF LIBERTY CITY
i could have replaced this whole playlist with the entirety of EITHER of less than jake's this-era albums, rockview or losing streak. they sum it up. this is the thing! this is it. this is what ska punk is doing.

SUCH GREAT HEIGHTS
i've just included this so you can hear it.

SUPER RAD
i am skanking. see??
aquabats. they have a song called "shark fighter," where the lyrics are "i'm a shark fighter. i fight sharks. i fight them in the water, because that's where they are." on tiktok there's a guy who danced to this song (not the shark one) on the occasion of henry kissenger's death.

a "comedy" ska band but, ah, are they? comedy is a slippery thing. they're not funny so much as they are... distilled essence of college radio. ska is, famously, "what plays in the head of a thirteen year old boy when he gets extra mozzarella sticks" and aquabats is that. pass the marinara.

(the music video for this is clearly a joke about the song "we are number one from" from kids' show lazytown. it's just a quirk of fate that lazytown came out 10 years later)

KNOWLEDGE
my favorite op ivy song. this is not ska; this is proof that op ivy was a fucking great punk band.

POINT/COUNTERPOINT
a perfect song. unsurprising for streetlight, who have several albums of these fuckers.

it's got all the streetlight highlights! literary reference. some damned clever songwriting. fitting as many words as you possibly can into a single breath. singable horn lines. a fundamentally young-person's understanding of reality, angry and naive and sincere. toh kay just sort of says the thing he means. i love it

in fact a perfect song in an album of perfect songs that, in their entirety, is even better than any one song? (an album about one of my favorite topics which is, spoilers for the album, wanting to kill yourself and in the same thought desperately wanting your friends to not kill themselves). the real point/counterpoint is between this, "a better place", and "a moment of violence." you don't gotta listen to the album but know there's a Structure here, okay.

NEW GIRL
the mandatory inclusion from tony hawk's pro skater. thankfully, it's a bop! a perfect punk song; it's almost a lucky accident that it's ska.

thanks for listening!
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when majora's mask loads a scene, there are a bunch of structs that it always allocates in a particular order.

these are well-documented in the decompilation (mostly. i mean well-documented for mm, yknow? there are plenty of unk_variable_whatever). but, only some of them are listed in the "Ultimate MM Spreadsheet" of mm addresses, and they're known by different names than the decomp. often, the decomp names are better, and i'm almost always looking at stuff in the decomp and going "hm where is that in the game"

so here is a sheet mapping decomp struct/member names to absolute memory addresses. no guarantees about correctness!

https://docs.google.com/spreadsheets/d/1Xs6pmlFiXsQLzNkr8m6d6UDglBQ6fvTQc5DtxeT-mE4/edit?gid=0#gid=0

there's still a TON of stuff that is just StructName[114 items long] without describing the nested structs, enums, or flags. and, some of the names are much worse (bottleTimerStartOsTimes[BOTTLE_MAX] is, lmao, way worse than "Hot Spring Water Timers"). but it's useful, and it'll slowly get filled out as i get interested in different things, like InterfaceContext eventually. updating the sheet only needs to know the starting absolute address of a struct, so this is pretty easy to expand
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sakai shokai ("sakai&co," basically) is a medium famous modern izakaya in shibuya. they get articles written about them in the japan times, for instance. it's kyushu (southern island) cuisine, which i don't know anything about and i never visit (it's hot there). unusually for an izakaya, they have a prix fixe omakase menu. here are my recipe notes for one of their summer menus


https://www.youtube.com/watch?v=h-V7wgmqbHw



  • junsai (watershield) and scallop in vinegar miso
    the miso is saikyo miso. there's a vinegared jelly too, probably tosazu jelly because that's been a Thing in summer dishes. the japanese cucumbers that have been punch-deseeded are cute. i need to try the "roll veggies in salt then wash" tech that jp cooks do

  • octopus and vegetable salad
    no skin on the octopus, it's been very lightly charred. the mizu-nasu may also have been charred? the broccoli has been blanched. a thick slice of fig, half a cherry tomato, a grilled young corn, lettuce, winter peas and halved spring peas and a few loose spring peas. three-ish slices of octopus. a purple radish
    the dressing is a vinaigrette, no information on the vinegar or oil

  • corn and new potato spring roll
    no information

  • otsukuri
    leopard coral grouper (shiromi) with myouga and irizake jelly
    chuutoro? with nira soy sauce

  • beef tendon soup
    beef tendon, wintermelon, fresh sansho buds
    probably just in clear dashi, but the already-boiled beef tendon was simmered in the dashi til the dashi had a little beef fat in it

  • kurobuta shumai
    a big pork and shrimp shumai with a dab of... something

  • fried kamo-nasu eggplant with daikon oroshi
    in dashi, topped with nira i think

  • unzen ham katsu
    namapanko, with paul star RS chuuno sauce
    this is a genius idea. i want to do this with jersey pork roll. i want to do this with mortadella. i want to do this with a small piece of foie. fuck this is a good idea

  • bukkake mentai
    thin udon, tenkasu, aonegi, an entire skein of mentaiko, with cold udon.
    the udon is really transparent. wish i could do that

  • taiyaki
    anko and ice cream
    (i don't care about sweet things)


here's an interview with the (extremely young??) owner
https://www.youtube.com/watch?v=27ujhpo0Q1o

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"bird's eye" chilis here in the US mean thai chilis, capsicum annum.
but i don't think indonesian "bird's eye" chilis are capiscum annum!
the long thin chilis are definitely "cabai merah," c. annum.
i think the "bird's eye" here are cabai rawit, capsicum frutescens. https://id.wikipedia.org/wiki/Cabai_rawit


note:
chili peppers basically all taste the same. there are only four qualities that differ:



  1. spiciness. this one is pretty clear

  2. species or cultivar. jalapeño and habanero taste actually different, and that's because they are a different kind of pepper. but capsicum annum (like jalapeño) is by far the most common kind. thai chilis and jalapeno taste fundamentally the same. (fight me)
    (note note: the ones you can get in US grocery stores are usually
    capsicum annum (bell pep, jalapeño, cayenne, SO many more. this one also has subgroups we won't get into, like "new mexico." good luck conceiving of things like "categories" when you think about plants), capsicum frutescens (tabasco, also the thing i am talking about rn), or capsicum chinense (habanero, aji dulce). there are several more varieties but i've never seen them.)

  3. how thin the pepper's walls are. like a bell pepper and a fushimi togarishi are not spicy and are both c.annum, but fushimi togaraishi have thin walls. this does not affect flavor at all.

  4. ripeness. a red bell pepper is a ripe green bell pepper. a fresno pepper is a ripe jalapeño

  5. dryness and smokiness. a chile chipotle is a dried smoked ripe jalapeño. an ancho pepper is a poblano pepper that has been ripened and dried, but not smoked. they're both c. annum! and so on

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i read (via google translate) an article about the five spiciest regional dishes of indonesia and malaysia. now i don't know if they're the spiciest, but they do look good as hell. armed with youtube and google translate, here are my recipe notes.

plecing kangkung khas lombok
(lombok-style water spinach)
https://www.youtube.com/watch?v=CvShDN4CdsU at home
https://www.youtube.com/watch?v=OVSBUiz-zYU street food

blanch water spinch and mung bean sprouts

grate coconut

sambal:
blanch tomatoes and merah+rawit chilis, grind with fried peanuts, fried terasi shrimp paste, sugar, salt, makrut lime

top water spinach with sprouts, coconut, and sambal

mie aceh
(aceh-province noodles)
https://www.youtube.com/watch?v=OGtn3u23Yjw homemade mie aceh
https://www.youtube.com/watch?v=NcCgfFacXVM street-style mie aceh

the spice paste is made of tons of merah chilis, fried garlic, fried shallots, fried head-on shrimp, fried peanuts, and (not mentioned) maybe ginger. added later are coriander seed, poppy seed, cardamon, palm sugar, and "assorted spices" (i have no idea). this all is oil-fried until pretty dry.

beef broth is: round onion, garlic, shallot, lemongrass, tomato, daun salam leaf, green onion, carrot optional

for the dish itself, crab (or squit, or shrimp), beef (or lamb), straw mushroom, tomato, green onion, cauliflower, and spice paste. fried, and then with beef broth, salty (aka light chinese style) soy sauce, sugar, salt and msg added. then the noodles are chinese-indonesian style mie. the garnishes are wild celery leaves, cucumber, krupuk crackers, lime, vinegar-pickled shallots

bebek betutu
(balinese spiced roast duck)
https://www.youtube.com/watch?v=scZ7GH2x1jQ traditional bebek betutu
https://www.youtube.com/watch?v=MzTYB-8bW10 modern-kitchen bebek betutu

i really like this guy's cooking show.

divide the chicken, salt it, and cover with makrut lime juice

roast coriander, cumin, nutmeg, and cloves then grind

make betutu seasoning:
dried merah chilis, fresh merah chilis, fresh rawit chilis, garlic, shallots, candlenuts, ginger, galangal, fresh tumeric, lemongrass, fried terasi shrimp paste, lime leaves, salt, black pepper (or maybe long pepper?)

pound that all together

coat the chicken in betutu seasoning, sprinkle with spice mix, and either:

steam in banana leaves in a pit oven (traditional)
boil in water til the water's reduced (modern), season with palm sugar (i might put the sugar in the the betutu seasoning instead)

serve with fried peanuts

oseng-oseng mercon
(1990s yogakarta city firecracker beef)
https://www.youtube.com/watch?v=h7dYCN6Qv9c streetfood-style
https://www.youtube.com/watch?v=ZZu_mKdczag home style
https://www.cookmeindonesian.com/oseng-oseng-mercon-yogyakarta-firecracker-beef/ history

pound shallot, garlic, lemongrass, galangal, ginger, daun salam leaf, lime leaf, merah+rawit chilis, salt, palm sugar

blanch beef shin and tendon, simmer with spices until soft

Tumis tulang jambal
https://www.youtube.com/watch?v=3vFaPdhSyPM

soak saltfish bones, fry

fry up a rough dice of:

shallots, garlic, chilis (merah and rawit, plus some kind of green pepper i don't know), tomato, daun salam leaf, lime leaf, ginger, galangal, oyster sauce, kecap manis, sugar, msg

add the saltfish bones, some stinkbean (yes that's real), water to cover, and boil
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i told my friend hillel about the salad thing and he reminded me of one of his pieces! where he got interested about the oldest name still in common use. he makes a pretty compelling case that the oldest extant name is "daniel," which spans mesopotamian, phoenician, canaanite, and christian-religious history. it's neat


https://www.hillelwayne.com/post/tale-of-daniel/
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i entered a contest for tool-assisted speedruns in majora's mask! (tool-assisted meaning that you play the game frame-by-frame, looking at the game's memory values and doing (you hope) the best possible inputs on every frame)


because it's me my entry was extremely meets-the-letter-of-the-rules-but-not-the-spirit and got disqualified (you have to do a task in the game? why not simply use glitches to set the memory values of the game to show that the task has already been done? why not??), but they gave it a nice detailed explanation :) also the top three entries are wildly impressive. especially because the 3rd place person started playing majora's mask only one month ago. damn


(also i'm embarrassed that i skipped 1/3rd of the whole dang task and didn't make top 3. yes i knew about the a-slide-into-weirdshot but tasing takes fucking forever)


https://www.twitch.tv/videos/2167790800
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the sweet science is: playing the year 2000 video game majora's mask. thankfully, there are no other sports that are called that.


ANYWAY: weird b. a lovely interaction. i particularly like this use from keeta's "all fairy rewards, no human in dungeons" because it was just a flex. weird b is used in 100% speedruns, i believe. here, this one was just for the love of the game. keeta could have walked into swamp and gotten a bottle. but nah, he used GnS's beautiful idea. just for fun!!




weird B happens when action-numbers (like "goron punch", action number 38) get read as item-numbers (item 38 is "use the unused hylian loach bottle item" on english)


this can happen because B is treated as a equip slot, like a c button. with unmasked link, usually only some kind of sword is equipped. when you get on epona this changes to bow, and then back to sword when you get off. if you lose your B item (the horrible bird steals your sword, for instance), B button's "status" is set to disabled, the same way a c button can be disabled.


then, for masks, because the B button should either be disabled OR have an item on it, the devs used the "no item" value (0xFF) as a kind of signal: if the B button has the "no item" value, instead look up what action you should take. these are things like transformation B-attacks, zora dive, blast mask 'splode, and so on.


but the blank b glitch gets link in a state where the B button is not disabled and he has no item on B. so the action—kamaro dance, goron punch, whatever—is used as an item. thus the beautiful bottle-on-transformation-b is born, and all the other consequences!


(see https://github.com/zeldaret/mm/blob/34e326bc344b2a7be9d40cbbdf6367e0956a99f6/src/code/z_inventory.c#L475)
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really, where do salads come from?

"what are we having for dinner tonight" you ask, and i answer "boeuf bourguignon," and we're pretty clear on where that dish came from. and we can get plenty more particular than "france."


we can't get so specific, but have a pretty good idea. it's from paris in the late 1800s, probably a bistro invention, not from burgundy but marketed using the burgundian reputation for good meat and wine. personally I feel fine about that answer. good enough for me! the general rule is: foods we call "traditional" are about seventy years old when they reach "traditional" status, and were invented by some cook with a good marketing sense.


(it would have been totally normal, for instance, for your italian mother AND grandmother to have never heard of ciabatta growing up; let alone tiramisu. and when i was a kid having instant ramen for the first time, plenty of working japanese chefs probably still regarded it as a new fad.)


but where is salad from? what kind of cuisine is it? we can trace the provenance of pasta, lagh'mon, and soba, but where in hell is salad from. is it french food? italian? salad is just kind of there.


it's roman food. that's rare! we almost never encounter roman food in our day-to-day lives. the closest might be "we also drink wine and eat bread" and "we also use fish sauce" but that's convergent evolution (bread and wine were made thousands of years before rome; fish sauce developed independently in a number of places), not the influence of rome on our diet.


salad is one of those uncommon foods that has a single unbroken lineage from rome to us. apicius was writing down very modern-sounding vinaigrettes with honey and olive oil. our word "salad" is from vulgar roman "herba salata," salted herbs.


and when the roman empire split people just kept making salads. wherever there had been romans, people made salads to their local taste. in the latin west salads were sort of relegated to fast days, but in the byzantine empire they never lost a minute (the things that became fattoush! greek salad!), and in medieval spain and renaissance italy salads were back to full popularity.


these days we have regionalisms—salade niçoise, ceasar salad, waldorf salad—but mostly, when you eat salad, you're eating roman food.
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this is extremely funny.

background: amsa is a competitive melee player who only plays yoshi, who for years was considered a mid-tier character, but amsa likes yoshi! his name is aMSaRedYoshi! and got so good at playing yoshi he's one of maybe 5 people who consistently wins major tournaments. he's also the only yoshi player in the top 90 ranked. (aside: people love him for this. people also love that he's good at the game)

also, in melee, there are these little Break-The-Targets minigames for each character. because there's a timer and because melee's such a popular game, the speedruns for BTTs are super competitive. plenty of people specialize in speedrunning BTTs.

this video is amsa saying "wow my technical skill is getting better. should i try for the BTT record?" then he watches the current record video, watches his past attempts, watches the TAS* record and goes "oh i could do some of that" and then breaks the record. one of his chat asks, amsa what margin did you break the record by, and amsa answers "one frame"

just-- god, what astonishing skill. he's not even a specialist at this he's simply very good at the game.


*TAS meaning tool-assisted, made by playing the game one frame at a time using techniques impossible for a human
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